
How did Ginger, Ada, Julian and Kiki do as they reopened Grandmother Rose's Vintage Dress Shop? How did Kiki do when she presented the tenth of the ten famous Denver women's gowns? How will Kiki live up to the example of her mentor and friend Grandmother Rose?
Copyright 2025 by Ariel Montine Strickland.
All Rights Reserved
The morning light filtered through the vintage dress shop's newly cleaned windows with a brilliance that seemed to celebrate renewal itself. Six months had passed since the coalition's victory at city hall, and the space hummed with the familiar energy of purposeful work—restoration projects spread across workbenches, customers browsing carefully curated racks, and the gentle sounds of contented cats drifting up from the fully compliant sanctuary below.
Rose's portrait that she selected was displayed on the wall behind the sales counter. There was such love that was displayed between Rose and Ginger as they held hands in the portrait. The place of honor was exactly as she had specified in her will.
Ginger sat in her chair near the main counter, wrapped in a soft lavender shawl that complemented her favorite vintage blouse. Her eyes remained bright with satisfaction as she watched Kiki move gracefully between customers, explaining the provenance of a 1940s-day dress to a young woman who reminded Kiki of Rose telling her life story from decades ago.
"Ginger," Ada said softly, checking her watch. "Perhaps it's time for your interview with that handsome reporter for 9 News?"
"In a moment, dear," Ginger replied, her voice gentle but firm. "I want to see Kiki with that customer first. She's explaining the bias-cut construction—listen to how naturally she teaches."
Julian emerged from the basement stairs, carrying a small tabby who had clearly claimed him as a favorite climbing post. "The sanctuary inspection went perfectly," he announced to the room. "All twenty-three cats are thriving, and the veterinary staff says they've never seen a cleaner, better-organized facility."
Ada beamed from behind the adoption desk she'd set up near the shop's entrance. "We've had four inquiries about adoptions just this morning," she reported. "Word is spreading that this is where you find the most social, well-cared-for cats in Denver."
Kiki finished with her customer and approached Rose's wheelchair, kneeling beside it with the natural grace that months of wearing vintage dresses had taught her. "How are you feeling today?" she asked, "You rehearsed your talking points all evening yesterday."
"I'm perfect, beloved daughter," Ginger said, reaching out to touch Kiki's cheek. "I'm watching you run this place exactly as it should be run. There's no medicine that could make me feel better about the interview."
"Mom, I've restored the last gown of our Ten Influential Denver Women collection. Would today be a good day to present it, in memory of Rose?"
"Of course, Kiki! I can't wait to see you model the gown and bring back the woman to life as you always do so well."
"Mom, I'm going to get ready to show off my latest restoration of the gown of the unsinkable Molly Brown. Wish me luck!"
"Good luck, Sweetheart!"
When Kiki emerged from the dressing room wearing the restored 1895 burgundy velvet opera gown, the entire shop fell silent. The massive gigot sleeves dominated her silhouette, and the fifteen-pound dress forced her to move with the deliberate grace that Victorian society had demanded of its fashionable women. She had become Margaret "Molly" Brown in every gesture.
"Ladies and gentlemen," she announced to the gathered crowd in Molly's confident voice, "welcome to the Denver Opera House gala of 1895."
The transformation was complete—not just the clothing, but Kiki's entire presence had shifted. She stood straighter in the boned corseting, her chin lifted with the imperious confidence that had made Molly Brown Denver's most talked-about socialite. The burgundy velvet caught the afternoon light streaming through the shop windows, and the Art Nouveau gold embroidery seemed to pulse with life.
The crowd gathered around the central display area fell silent as Kiki emerged from the workroom, transformed into a living embodiment of Denver's most famous resident. She wore Margaret "Molly" Brown's recreation burgundy silk velvet evening gown—the same dress design that had commanded attention at the 1895 Denver Opera House Gala.
Kiki moved across the shop floor with the measured steps the heavy dress demanded, each movement an education in Victorian deportment. "When I first examined this burgundy velvet evening gown, I knew I was looking at something extraordinary. This particular gown represents everything Molly embodied: drama, elegance, and a complete disregard for convention."
"Molly," called out a customer, clearly delighted by the historical demonstration. "Tell us about this magnificent gown."
Kiki moved across the shop floor with the measured steps the heavy dress demanded, each movement an education in Victorian deportment. "When I first examined this burgundy velvet evening gown, I knew I was looking at something extraordinary. This particular gown represents everything Molly embodied: drama, elegance, and a complete disregard for convention."
Margaret Thornfield stepped forward, fascinated by the historical accuracy of Kiki's portrayal. "Tell me about the restoration process. The museum's collection includes garments with documented provenance, including pieces from the Victorian and Edwardian periods."
"The burgundy silk velvet had suffered from light damage and the gold embroidery threads had tarnished significantly," Kiki explained, running her gloved hands along the intricate goldwork. "Using conservation-grade materials, I carefully stabilized the fragile areas with supportive stitching. The most challenging aspect was recreating the intricate Art Nouveau-inspired goldwork that had deteriorated beyond repair. I spent weeks researching period embroidery techniques and sourcing appropriate metallic threads."
Julian watched from behind his camera, documenting not just the dress but Kiki's complete embodiment of Molly's spirit. She had learned to project personality through clothing in a way that made history come alive.
"When I finally put on the restored gown for documentation, the weight of it, nearly fifteen pounds with all the embellishments, made me understand something profound about Molly Brown," Kiki continued, her voice carrying Molly's determination. "This wasn't just clothing; it was armor. The tight corseting forced you to stand differently, move differently, breathe differently. I felt powerful wearing it but also constrained. It struck me that Molly used fashion as both expression and rebellion—she wore the finest clothes but broke all the social rules about how to wear them."
An elderly gentleman in the audience raised his hand. "How did women manage such elaborate dress for daily activities?"
Kiki smiled with Molly's characteristic mischief. "We didn't manage—we commanded. These dresses were designed for women who expected the world to accommodate them, not the other way around. Molly Brown never apologized for taking up space, and neither did her wardrobe."
She demonstrated the careful ritual of sitting in the voluminous skirt, showing how the dress required furniture to be arranged around the wearer rather than the wearer adapting to standard seating. The bell-shaped silhouette spread gracefully, creating its own territory wherever Molly chose to rest.
"Through this restoration, I learned that Margaret Brown was truly a fashion icon who set trends for Denver women by wearing the latest styles from Europe and Asia," Kiki explained to the fascinated crowd. "Her elaborate fashion sense regularly made newspaper headlines. The complexity of this gown's construction revealed a woman who understood that clothing was a language
of power and status in her era."
Margaret Thornfield stepped forward, fascinated by the historical accuracy of Kiki's portrayal. "Tell me about the restoration process. The museum's collection includes garments with documented provenance, including pieces from the Victorian and Edwardian periods."
"The burgundy silk velvet had suffered from light damage and the gold embroidery threads had tarnished significantly," Kiki explained, running her gloved hands along the intricate goldwork. "Using conservation-grade materials, I carefully stabilized the fragile areas with supportive stitching. The most challenging aspect was recreating the intricate Art Nouveau-inspired goldwork that had deteriorated beyond repair. I spent weeks researching period embroidery techniques and sourcing appropriate metallic threads."
Julian watched from behind his camera, documenting not just the dress but Kiki's complete embodiment of Molly's spirit. She had learned to project personality through clothing in a way that made history come alive.
"When I finally put on the restored gown for documentation, the weight of it, nearly fifteen pounds with all the embellishments, made me understand something profound about Molly Brown," Kiki continued, her voice carrying Molly's determination. "This wasn't just clothing; it was armor. The tight corseting forced you to stand differently, move differently, breathe differently. I felt powerful wearing it but also constrained. It struck me that Molly used fashion as both expression and rebellion—she wore the finest clothes but broke all the social rules about how to wear them."
An elderly gentleman in the audience raised his hand. "How did women manage such elaborate dress for daily activities?"
Kiki smiled with Molly's characteristic mischief. "We didn't manage—we commanded. These dresses were designed for women who expected the world to accommodate them, not the other way around. Molly Brown never apologized for taking up space, and neither did her wardrobe."
She demonstrated the careful ritual of sitting in the voluminous skirt, showing how the dress required furniture to be arranged around the wearer rather than the wearer adapting to standard seating. The bell-shaped silhouette spread gracefully, creating its own territory wherever Molly chose to rest.
"Through this restoration, I learned that Margaret Brown was truly a fashion icon who set trends for Denver women by wearing the latest styles from Europe and Asia," Kiki explained to the fascinated crowd. "Her elaborate fashion sense regularly made newspaper headlines. The complexity of this gown's construction revealed a woman who understood that clothing was a language
of power and status in her era."
The gown was a masterpiece of 1890s dramatic silhouette, featuring the fashionable gigot sleeves that reached their magnificent apex in 1895, with massive puffed shoulders that tapered to fitted cuffs adorned with jet beading. The bodice, constructed with the characteristic tight-fitting boned corseting of the era, created the desired hourglass figure with a dramatically nipped waist that emphasized Kiki's feminine curves.
Rich gold embroidery in Art Nouveau-inspired patterns of climbing roses cascaded down the front panel, catching the afternoon light streaming through the shop's windows. The gown's skirt fell in graceful bell-shaped lines, gored to fit smoothly over her hips in the prevailing style of the decade. The modest square décolletage was framed by delicate Venetian lace, while the hem was trimmed with intricate passementerie and small seed pearls that caught the light with every movement.
Kiki had arranged her auburn hair in the elaborate Gibson Girl style popular during Molly's era, with soft waves swept up into an elegant chignon secured with mother-of-pearl combs. A delicate strand of pearls encircled her throat, while matching pearl drop earrings completed the ensemble. She carried herself with the confident bearing that Rose had taught her—shoulders back, chin raised, moving with the deliberate grace required by the gown's considerable weight.
"Ladies and gentlemen," Kiki began, her voice carrying the slight Irish lilt she'd perfected for the portrayal, "I am Margaret Brown, though Denver society insisted on calling me Molly. I came to this city in 1894 with my husband J.J., after his mining investments in Leadville made us wealthy beyond our dreams."
"Miss Brown," called Ada, playing along with the historical demonstration, "what advice would you give to modern women about finding their personal style?"
Kiki straightened to her full height, the massive sleeves creating an imposing silhouette. "Never apologize for who you are, dear. Fashion should be a celebration of your spirit, not a disguise. I wore these elaborate gowns because I believed I deserved beauty and attention. Every woman should dress as if she expects the world to notice her, because she should be noticed."
The crowd applauded appreciatively, and several customers immediately began examining the vintage pieces with new interest. Kiki had transformed a simple dress display into a masterclass on historical fashion and personal empowerment.
She moved through the shop with practiced elegance, the burgundy velvet rustling softly with each step. "This gown you see me wearing cost more than most families earned in a year—but I didn't wear such finery to show off. No, I used fashion as my armor in a world that tried to dismiss me as an uneducated country girl who'd married into money."
The crowd leaned in, captivated by Kiki's transformation. Julian watched from beside the portrait of Rose and Ginger, his camera forgotten as he saw his beloved channeling the spirit of one of history's most indomitable women.
"They called me 'new money' and tried to exclude me from Denver's finest social circles," Kiki continued, her voice growing stronger. "But I learned French, studied literature, and used my wealth to support women's suffrage and workers' rights. When the Titanic sank in 1912, I helped load lifeboats and rowed through the night to save lives. The newspapers called me 'unsinkable'—but the truth is, we're all unsinkable when we refuse to let others define our worth."
Ada wiped tears from her eyes, understanding perfectly how Kiki was using Molly's story to tell her own. Margaret Thornfield stood transfixed, seeing the same courage in Kiki that her grandmother's letters had revealed about women who refused to accept society's limitations.
"I established soup kitchens during the Depression," Kiki continued, her hand resting on the gown's elaborate gold embroidery. "I fought for miners' rights and women's education. Fashion was never about vanity for me—it was about claiming space in rooms where women weren't welcome, demanding to be seen and heard."
She paused, her eyes finding Julian's in the crowd. "Every dress tells a story of the woman who wore it. This gown speaks of a woman who understood that true strength isn't about being unsinkable—it's about choosing to keep swimming, no matter how rough the waters become."
The crowd erupted in applause as Kiki took a graceful curtsy, the burgundy velvet pooling around her like liquid courage. As the applause died down, a small voice piped up from near the front.
"Excuse me, miss?"
Kiki looked down to see a tiny girl and her mother, the child was more than four, with earnest dark eyes and carefully mended clothes that spoke of modest means but infinite care. Something in the girl's expression—a mix of wonder, determination, and barely contained hope—reminded Kiki powerfully of herself just months ago.
"Yes, sweetheart?" Kiki knelt carefully in the elaborate gown, bringing herself to the girl's eye level.
"I... I was wondering..." the girl stammered, then her Mother took over for her daughter. "Do you think someone like my daughter could ever learn to restore dresses like this? She doesn't have any experience, of course, but I love beautiful things, and I'd work really hard."
Kiki felt Rose's presence as surely as if her mentor were standing beside her. This was how it began, with a young person seeing possibility in beautiful things, with a tentative request that could change everything.
"What's your name?" Kiki asked gently.
"Luna. Luna Casey."
"And I am Lindsey Casey" said the mother
"Luna," Kiki repeated, tasting the name that she somehow knew would become important to her future. "You have a beautiful name for someone who's drawn to beautiful things. Tell me, what is it about vintage clothing that calls to Luna, Lindsey?"
Luna's mother's eyes brightened. "I think... I think they hold the dreams of the women who wore them. Like this dress holds your Molly Brown's dreams of being taken seriously, of making a difference. I want to learn how to help those dreams survive."
Kiki smiled, understanding that Rose's legacy of mentorship was about to continue through her. Standing carefully in the magnificent burgundy velvet, she extended her hand to Luna.
"Well then, Linsey and Luna Rodriguez, I think you've come to exactly the right place."
As she moved through the shop, interacting with guests while maintaining Molly's commanding presence, the burgundy velvet rustled with each step, creating its own soundtrack of elegant authority. The jet beading on the sleeves caught the light, and the gold embroidery seemed to tell stories of opera boxes and society galas.
"The most remarkable thing about Molly Brown," Kiki concluded, addressing the entire room, "was that she understood fashion as storytelling. Every dress was a chapter in the narrative she was writing about herself—wealthy, confident, uncompromising, and absolutely unforgettable. She taught me that authenticity isn't about wearing what's expected—it's about wearing what expresses your truest self."
Julian lowered his camera, having captured not just the dress but the moment when Kiki fully understood her gift. She wasn't just preserving vintage clothing—she was preserving the courage and determination of the women who had worn them, keeping their stories alive for future generations who needed to hear them.
As the afternoon continued, Kiki remained in character, teaching guests about 1890s fashion while embodying everything Molly Brown had represented—the audacity to be completely yourself in a world that preferred women to be invisible. The burgundy velvet had become a bridge between past and present, carrying forward the message that true style comes from the courage to take up space and refuse to be diminished.
The shop door chimed, and Margaret Thornfield entered carrying a beautiful arrangement of white roses and a manila folder. She'd become one of the shop's most enthusiastic supporters since her conversion, bringing potential customers and historical research materials weekly.
"Ginger, Kiki," Margaret called out warmly. "I have wonderful news. The Historical Preservation Society has approved landmark status for the building. The shop and sanctuary will be protected permanently."
Ginger clapped her hands together with delight. "That's exactly what this place deserves—recognition for the sanctuary it's always been."
Clem appeared with a tray of coffee and her characteristic grin. "Margaret, your timing is purr-fect as always. Rose was just telling me about the exhibition space plans for the back room."
"The museum partnership is proceeding beautifully," Julian added, settling the tabby in his arms. "We'll have rotating displays of historically significant garments alongside adoption opportunities for sanctuary cats. It's exactly what Rose envisioned. History and compassion working together."
Ada, smiled as she watched the interaction. In her twenty years of looking out for others, she'd rarely seen a woman so completely at peace with her mother's legacy. Ginger had insisted on spending the weeks after Rose's death in the shop rather than at home.
"The afternoon appointment schedule is full," Kiki reported, consulting the vintage appointment book Rose had taught her to maintain. "Three restoration consultations, two potential adoptions, and a documentary crew filming the success story."
Ginger nodded approvingly. "And the evening?"
"Julian's cooking dinner upstairs for the family," Kiki said softly. "Kiki and Alicia are bringing their famous chocolate cake, and Ada promised to tell stories about the cats' personalities."
"Perfect," Ginger sighed contentedly. "A day that begins with purposeful work and ends with chosen family—that's exactly what this place was meant to provide."
Harold Pemberton knocked on the door frame, carrying a large donation check and looking slightly embarrassed but genuinely pleased. His transformation from antagonist to ally had become one of the neighborhood's favorite redemption stories.
"Ginger," he said formally, "you know that the city council voted unanimously to provide ongoing funding for the sanctuary's operation. It was named the Grandmother Rose Initiative for Compassionate Community Service."
Ginger's eyes filled with tears of joy. "Harold, you've exceeded every hope I had for your change of heart."
As the afternoon wore on, the shop filled with a steady stream of visitors—customers drawn by the vintage fashion, families considering cat adoptions, students researching historical preservation, and neighbors simply wanting to spend time in the space that had become the heart of their community.
Ada watched Ginger from her discreet position near the workroom, noting how the woman's energy seemed to draw from the activity around her. This wasn't just a business reopening—it was the culmination of a lifetime's work in creating sanctuary.
"Kiki," Ginger called softly as the day wound down. "Come sit with me for a moment."
Kiki settled on the small stool beside Rose's wheelchair, taking her mentor's hands in her own. "Today was perfect, wasn't it?"
"Today was everything I dreamed of when Mother started accepting cats thirty years ago," Ginger replied. "But more than that—watching you become the woman you were always meant to be, seeing the community rally to protect vulnerable creatures, knowing this work will continue long after I'm gone—that exceeds every hope I ever held."
Julian approached quietly, the tabby still draped across his shoulders. "The museum board wants to create a permanent exhibit about grassroots advocacy. They're calling it 'Threads of Truth: How One Shop Transformed a Community.'"
"And the sanctuary expansion plans?" Kiki asked.
"Approved and funded," Ada reported, looking up from her adoption paperwork. "By next spring, we'll be able to house forty cats comfortably, with an outdoor garden space and specialized medical facilities."
Ginger smiled, her gaze moving around the shop that had been her life's work. The restored vintage dresses hung like colorful memories on their racks, each one representing a story of women who had found courage through fashion. The soft sounds of contented cats drifted up from below, evidence of the sanctuary that had grown from her simple desire to help vulnerable creatures.
"Every dress tells a story of courage," Ginger whispered to Kiki as they reached the apartment upstairs. "And now your story is woven into all of them."
"Mother, I'm ready for the final surgery, the one that they said I would opt in for after I turn 18."
"Kiki, I'm proud of your courage. Of course, I'll get all the arrangements done. Very soon you will be in harmony, body and mind."
"Mother. you are so good to me. Thank you for my life.":
The shop below continued its gentle rhythm—restoration work, adoption conversations, and the simple daily acts of caring that Rose had spent decades teaching. Her legacy lived not just in the preserved building or the protected cats, but in the community of people who had learned that sanctuary could be created anywhere love and determination intersected.
As evening approached and the family gathered for dinner, the vintage dress shop settled into its peaceful night routine—a fully realized dream of compassionate service that would continue long into the future.