Spot the related musical reference.
What was headlining at Shrewsbury in August. Pure class.
What I did on my holidays
A word from our sponsor:
BigCloset TopShelf
TopShelf TG Fiction in the BigCloset!
The Hatbox
Checks can be made out & sent to:
Joyce Melton
1001 Third St.
Space 80
Calimesa, CA 92320
USA
Note: $6000 is the operating, maintenance and upgrade budget. Amounts received in excess of the $6000 will be applied to long term debt accrued over the last 19 years.
If you prefer, you can donate through Patreon:
Become a Patron!
Thank you!
Comments
Thanks for the Link...
I knew Thompson was still performing, but hadn't looked him up or listened to him very much or very recently.
(First heard Prelude's album cut of "Meet on the Ledge" in the mid-to-late '70s; it stood out in comparison to their original material. I'd been surprised when I learned that the song went back to the late sixties, and was even more surprised here when Thompson says that he was 19 when he wrote it. That a young folksinger would have been that disillusioned that soon sort of startled me.)
Eric
Performing
And some. The first time I saw him at Shrewsbury*, he came on and played solo for two hours, with no breaks save the inter-song patter. I was astonished to see the time stamp on this recording: 1hr 39mins. How many top names give that long a set?
I know he is a miserable old sod, lyrics-wise, but I have heard a vanishingly-small number of people who FEEL the guitar the way he does. Listen to the difference between the beautiful intricacy of his playing on '52 Vincent Black Lightning or Beeswing and the rawness of his balls-put solo on Can't Win, or, vocally, the regret in Beeswing, the humour in Guitar Heroes contrasting with the utter venom and hatred of Put it There Pal, or Can't Win. He didn't do snide contempt, as he left Fergus Laing out of the set (Pity!).
*That was the year someone stood in the car park opposite the main gate holding a sign reading "I will give whatever you ask for a Richard Thompson ticket"
Not many of his generation left I'm afraid
My then Girlfriend took me to one of the early Cropredy Festivals. That was shall we say very mind blowing.
I'd seen the 'Incredibles' at the Royal Festival Hall in '71. They played for close on 2 hours.
Another singer-songwriter of that generation was the late John Martyn. The sounds he could get out of an acoustic guitar were unbelievable.
His 'Bless the Weather' album reguarly gets played even today.
Samantha