Rebirth - part 5

I wake before the alarm. The room is grey. I lie there taking stock - the burn is still there, but noticeably less. The itch is mostly gone. But there's something in the boxer briefs again, the same thick dampness against the labia as when I woke in the night.

I get up carefully, not waking Emily.

I pull open the waistband and check the boxer briefs in the bathroom. A white discharge in the crotch - different from last night, no sour smell, something milder. I drop the underwear to the floor and turn on the shower.

Emily appears in the doorway while I'm still in my t-shirt. She looks at the boxer briefs on the floor, then at me. "Can I check?"

I stand still. She crouches and looks at the crotch of the discarded pair, then straightens. "That's the Monistat," she says. "It works overnight and comes back out. Normal. It'll happen today too, maybe tomorrow." She pauses at the door. "In that area - just water. Or this if you want it." She sets a small bottle on the counter. "Not the regular soap. Nothing with a scent." She goes to make coffee.

I get in the shower and use just water, not yet ready to change up my soap routine. Then I dry off, find a fresh pair of boxer briefs, fit a liner into them, and pull them on.

---

The shoe store opens at nine. I'm there at nine-oh-five, first customer, the sales associate still unlocking the display cases. Young, maybe twenty-two, the neutral affect of someone trained to treat every customer the same.

"Help you find something?"

"Work shoes," I say. "And something for the gym. I need to get measured first."

He produces the Brannock device without ceremony and I step onto it. He adjusts the heel cup, slides the width bar, reads the measurement. Then reads it again.

A pause - barely perceptible, the recalibration of someone getting an unexpected number. "Have you been measured recently?"

"No."

"Okay." He straightens. "You're a women's eight and a half narrow." He says it the way you'd read off a blood pressure number - flat, informational.

I look at the device. I'm a men's ten and a half. I've known my shoe size the way I know my height - a fixed fact, not something you check. Except apparently not fixed.

"Men's won't fit?" I say. I already know the answer.

"The heel will slip. Width will be wrong." Not unkind. He's had this conversation before, with customers who need the logic before they can accept the conclusion. "Women's shoes are built for a narrower heel and a different arch. You'd be more comfortable in the right section."

He waits.

"Show me what you've got," I say. "Work shoes first. Nothing that reads."

He understands without my finishing the sentence. He leads me to the less aggressively gendered end of the women's display - the overlap between functional and female-coded. Loafers in black leather. Low block-heeled ankle boots. A plain oxford in dark brown.

They are women's shoes. The difference between these and Emily's sneakers is that Emily's sneakers were borrowed and temporary and these would be mine, purchased, sitting in my closet. The first thing I've bought for this body.

The oxford is the least legible. I pick it up and turn it over.

"Can I try this one?"

He brings my size. I sit and put it on. It fits - not the approximate fit of extra socks stuffed into old shoes, but an actual fit. Heel held, arch supported, toe box right. I walk to the mirror at the end of the aisle and back.

"How's the width?"

"Fine."

"Any pressure on the toe?"

"No."

A plain dark oxford. Worn with trousers it reads as a shoe.

"I'll take them," I say.

He leads me to the athletic section - same end of the store, neutral colorways, styles that don't announce themselves. He pulls three options in my size. I try a plain white and grey trainer, low profile, nothing on it that reads as specifically female unless you're looking at the label. It fits the same way the oxford fits. Actually fits.

I buy both pairs. He boxes them at the counter without ceremony. I pay and take the bag.

Outside I sit on the bench by the door and swap Emily's sneakers for the new oxfords. Hers go in the bag. Sit for a moment on the bench in front of the shoe store, in women's oxfords that fit my feet. I press them once against the pavement, the fit comfortable.

---

The office is cold and the UTI makes itself known by ten - duller than last night, the antibiotics taking the edge off but not removing it. I go to the men's room twice before lunch, the liner doing its job, the burn there but diminished. By early afternoon it's fading further. By three I've mostly stopped noticing.

The Aldermere deck needs another pass. I give it one. Linda stops by at four with a question about the Southeast numbers and I answer it and she goes without comment. The work is there. It gets done.

---

The deck goes out at nine-fifteen. I send it with a short note - Sarah, deck attached ahead of our Thursday call. Looking forward to your thoughts - and sit back and feel the relief of something finished, three weeks of work landing in someone else's inbox where it's no longer mine to perfect.

The relief lasts about four minutes before I notice the dampness.

I shift in the chair and it's immediately apparent that something is different today. Not the usual baseline moisture I've learned to expect and mostly ignore - this is more, noticeably more, the boxer briefs wet in a way that catches through the denim when I move. I sit with it for a moment. I'm not imagining it.

At Emily's suggestion I've been carrying liners in my backpack for nearly two weeks without needing one. Today is clearly when one is needed.

I take one from the backpack, fold it into my trouser pocket, and head for the men's room.

The stall. I push the boxer briefs down and look. The fabric at the crotch is wet - not sweat, something clearer and more slippery than the usual discharge, present in a quantity I haven't seen before. It coats the cotton in a way that's almost iridescent under the fluorescent light, the consistency nothing like anything the past two weeks have produced. I press a finger to it. Slippery. Stretchy. A completely different texture.

I don't know what this is. The body doing something new without explanation, the way it's been doing things without explanation since this started.

I open the liner, press it into the boxer briefs as flat and centered as I can manage, pull everything back up. I wash my hands and go back to my desk.

---

Mid-morning, working through the competitor analysis, something hits on the left side - low in the abdomen, sharp and interior, more concentrated than a muscle pull. I press my hand flat to the spot. It holds for maybe thirty seconds and then begins to ease, settling into a dull ache that's there when I press on it and gone when I don't. Stress, maybe. The Aldermere deadline finally landing somewhere in the body after three weeks of suppression. I take two ibuprofen and go back to the numbers.

---

By two o'clock the liner needs changing.

I know because the dampness is back - the same clear slippery discharge, more of it. I take another liner from my backpack, fold it into my pocket, and head for the men's room.

The stall. I sit, reach in and begin peeling the used liner away from the boxer briefs, slowly, controlling the sound of the adhesive releasing. The main door opens. Footsteps. Someone takes the urinal.

I stop. Hold the half-detached liner in place and wait.

The guy finishes. Moves to the sink. Water running.

The main door opens again. Another set of footsteps. Another urinal.

I can't sit here indefinitely. I have a half-detached liner in my hand and two people on the other side of the door and no exit. I finish peeling it away - slow, one millimeter at a time, keeping it under the sink noise. I fold it in my fist. The new one comes out of my pocket, backing peeled, pressed into place. I pull everything back up. I have not made a sound that registered over the ambient noise of the room. I think.

I stand behind the door and wait. The second guy moves to the sink. Two of them washing their hands now. The bin is at the sink. There is no version of coming out of this stall and dropping something in the bin that doesn't happen in front of both of them.

The first one leaves. The second is still at the sink. I wait. He leaves.

I come out. The used liner is balled in my fist. If I stop at the bin and someone walks in I'm standing there holding something that isn't a paper towel. I wash my hands quickly, ball the liner against my sleeve, and walk out.

I'll find a bin in the corridor.

---

I'm moving too fast and I don't see Linda until she's already in front of me with a stack of files.

"Mike." She holds them out. "Q4 competitor breakdown, in case Sarah pushes on Atlanta Thursday."

I reach for the files with my free hand. They're substantial, she's handing them at an angle, and there's a moment of redistribution where I need both hands and the liner drops from my fist onto the corridor carpet between us.

We both look at it.

It's visibly what it is. Sitting on the carpet of Harmon & Associates at two-fifteen in the afternoon.

I bend to pick it up. The shirt rides up. The jeans sit low across hips that are wider than they have any business being, the silhouette from behind not the one she's used to.

I straighten. The liner is back in my fist. Linda's expression hasn't changed - she has a very good expression for not changing - but something behind it has shifted.

"Come here a minute," she says.

She leads me to the women's room. Checks it's empty. Lets the door close behind us.

"Give me that," she says.

I hand her the liner. She drops it in the bin by the sink without looking at it. Then she turns and looks at me.

The silence does what Linda's silences do.

"It's not something I can explain," I say. "I woke up and things were different. Overnight. And they've stayed different." I look at the wall. "I'm figuring it out as I go."

She's quiet for a moment, filing the implications without making them into a scene.

"Okay," she says.

"That's it?"

"What would you like me to say?"

I don't have an answer for that.

She leans against the sink. "Practically. Get a small pouch - pencil case, anything that closes. Keep your spares in your desk drawer in that, not loose. When you change one, wrap the used one in the wrapper from the new one before you leave the stall. Then it's just something folded in your hand - nobody knows what it is if it's wrapped. You can drop it in any bin on the way back."

She picks up the competitor files from the counter and holds them out. "I'm going to pretend this conversation didn't happen until you decide otherwise. And you're going to stop carrying used liners in your fist down the corridor."

I take the files.

"Thursday's call," she says. "Sarah's going to push on the Atlanta numbers. Know them cold."

She opens the door and walks out.

I stand in the women's bathroom for a moment - the bin by the sink, the competitor files in my hands, the dull ache on the left side still faintly there.

I go back to my desk and sit down and open the competitor files and read the same line three times without it landing.

The liner is doing its job. The deck is sent. Linda knows and isn't going to make it a thing, which is the best possible outcome of a situation that had no good outcomes. Everything is fine. Everything is as fine as it's been since this started.

I read the line a fourth time.

Something behind my eyes goes warm and tight and I put the file down and press the heels of my hands against them and sit like that for a moment - not crying, not quite, but closer to it than I've been since the first morning. Not because of Linda. Not because of the liner on the carpet. Not because of anything I can name. Just the day, just the accumulated weight of it, just the body reaching the end of what it can absorb without registering it somewhere.

It passes. I take my hands away. The competitor file is still there.

I pick it up and start from the beginning.

---

The Premium Patreon version of this post includes images of Mike at the shoe store, in the men's restroom and in the hallway after. Additional sections also available on Patreon.



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